The Bat Poet

The Bat Poet (1964) is a children’s folktale by Randall Jarrell. The beautiful, classic, black-and-white illustrations accompanying story were drawn by Maurice Sendak. The story is about appreciating individuality in a world that pressures one to conform. One small brown bat, the narrator and protagonist of the work, rebels against the expectations and advice of others. Though the bat consistently encounters conflict with his fellow bats and other animals, he learns to appreciate and accept his own differences. Jarrell’s approach imparts wisdom for children while offering more mature commentary through an embedded allegory about poetry.

The small brown bat is curious about what happens during the daytime, however, the other bats do not share his desire. When the other bats on the porch urge the small brown bat to fly with them to the barn, he decides to stay put, deciding to venture into the unknown and unfamiliar daylight. The small brown bat awakens alone on a porch in the daylight. He flies off to explore this unfamiliar world and meet the daytime animals. This first act of bravery and independence enables the bat to better understand the world and to develop confidence and appreciation for his individuality and unique identity.

As the bat begins his adventure, he is unfamiliar with the sights and animals around him. Recalling the songs of the mockingbird who sings all night, he decides to write his own song depicting what he sees during his daylight outing. However, when the bat discovers that he cannot sing, he concludes saying the words on their own is beautiful, too.



When the bat shares these songs with the other bats, they react negatively, rejecting the bat’s observations and perspective. However, the bat elects to continue composing them because he enjoys them. He consults the mockingbird, though he is anxious and afraid of the standoffish and sometimes aggressive bird. The bat-poet shares his poem that he wrote about the owl. The mockingbird, an experienced writer, offers the bat insightful feedback. For example, the mockingbird responds, “The next-to-the-last line's iambic pentameter, and the last line's iambic trimeter." Their discussion introduces basic fundamental concepts of poetic craft. Much to the bat poet’s surprise, the mockingbird approves of the bat poet’s poem and encourages him to return and recite more.

The bat’s poems offer sweet examinations of animals’ characteristics and behaviors making use of literary devices such as metaphors and similes, meter, and rhyme. Next, the bat approaches the chipmunk, who dives into his hole for a while at first. When the chipmunk finally emerges, the bat-poet offers to write the chipmunk a poem. The bat initially asks the chipmunk for a few crickets as payment and then decides to do one free “as an introductory offer.” He recites a poem he composed about the owl to demonstrate his services. The chipmunk likes the poem, although it makes him scared just thinking about the owl. He agrees to have a poem written about him, requesting that it has “a lot of holes” in it.

When the bat returns and recites the chipmunk’s poem, the chipmunk responds very positively. As a favor, the chipmunk offers to approach the cardinal for the bat poet in order to ask if the bat poet might compose and recite a poem for him, an offer the cardinal accepts. However, the bat experiences writer’s block, triggered by the anxiety of trying to write for approval. The cardinal is disappointed by this result, but he understands.



Once the writer’s block passes, the bat-poet writes a poem about the mockingbird. When he shares this poem with the chipmunk, the chipmunk likes it and agrees that the mockingbird is really like that, although he suspects that the mockingbird would not like the poem about himself. The two go to share the bat poet’s poem with the mockingbird. Just as the chipmunk predicted, the mockingbird becomes somewhat trite and defensive in response to the poem and does not encourage the bat-poet to return this time.

Allegorically the mockingbird and the bat both represent the diversity among poets and poetry and the other animals represent the various types of audiences. The two have different levels of experience and hold conflicting opinions on form and content. The mockingbird’s egotism is exposed through his preference for isolation. He will often scare off animals, and then imitate them in his songs. When animals praise his songs, he is happy to receive the compliment but uninterested in conversing. The mockingbird’s alienation and desire to sing to feed his own superiority complex greatly contrasts with the bat poet, who writes poetry to share with others. This contrast is intended to draw attention to the importance of individual identity.

The exchange between the bat poet and the mockingbird singer also makes an allegorical argument about writers and their craft, expressing a preference for a selfless, less experienced writer who has something to share over an expert craftsman who is disconnected from his audience and writes to satisfy himself only. While their discussion and roles may relate to poetry, the moral of the story concerns how we navigate our world and relate to others.



In the end, the bat poet returns to the barn to sleep with his fellow bats. This shows his desire to remain connected to society, unlike the mockingbird who prefers the alienation of his isolation. Allegorically, his rejoining also represents his desire to remain connected to his audience and his decision to write about experiences that are more relatable. Overall, Jarrell’s story is a clever and charming tale that appeals to children and adults alike.