55 pages 1 hour read

Joanne Greenberg (Hannah Green)

I Never Promised You a Rose Garden

Fiction | Novel | Adult | Published in 1964

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Summary and Study Guide

Overview

I Never Promised You a Rose Garden is a semi-autobiographical novel written by Joanne Greenberg, originally under the pen name Hannah Green, and first published in 1964. The novel centers around the teenage Deborah, who experiences a conflict between The Inner World Versus the Outer Reality, loses her abilities of Connection and Communication temporarily to illness, and demonstrates A Fight for a Life through her time in a mental healthcare facility following a mental health crisis. Deborah has unconsciously created a complex inner world, called Yr, with its own language, gods, and laws, as a defense mechanism against the real world. The text finds her fighting to overcome her past experiences and learning to live harmoniously with herself

This guide uses the Penguin Books 2022 edition of the novel.

Content Warning: This guide contains descriptions of self-harm, mentions of suicide, depictions of life in a psychiatric ward, and the use of outdated language to describe mental illness. It also includes a brief mention of rape and several references to antisemitism.

Plot Summary

Sixteen-year-old Deborah is on her way to a mental healthcare facility with her parents, Esther and Jacob. When they finally arrive, Deborah seems dazed and indifferent, but her parents express horror. Deborah disappears into the world of her mind, which she calls Yr, and tries to hide her wrist wounds from a recent suicide attempt. Speaking to the doctor for the first time, she feels ashamed and afraid and retreats to Yr to be with a god she calls Anterrabae. Deborah’s parents leave, worrying about what to tell people. They decide to say Deborah is at a school for sick children, but the lies do not hold for long. The lead doctor of the facility, Dr. Fried, agrees to see Deborah, hoping that her age means she has a higher chance of recovery. Deborah attempts to keep Yr a secret from Dr. Fried at first, but Dr. Fried is hopeful and persistent. Deborah meets Carla, who becomes her closest friend at the facility.

Esther’s concerns mount, and she wants to visit. Deborah answers that she will only see her mother, not her father; Esther meets Dr. Fried and then spends time with Deborah. Jacob accompanies Esther but stands at a distance. Esther explains some family history; her immigrant parents did not approve of Jacob at first. She explains that Deborah had a tumor removed when she was a young child, that she experienced antisemitism at a summer camp she attended, and that the family moved twice when Deborah was young. In a conversation with Dr. Fried, Deborah shares that her tumor removal was very personal. She describes feeling abused, lied to, and as if an essential part of her was taken. She still feels the pain of the tumor. Deborah also remembers first hearing Yr’s voice at summer camp, where she was accused of using her religion for revenge. Meanwhile, Deborah adjusts to life at the facility, starts to connect with the other patients, and appreciates the freedom of being as unusual as she likes while living in the “Disturbed” ward. The voices of Yr fight back against Deborah’s attempts to understand herself and connect with an outsider. Deborah describes these voices to Dr. Fried as a collection of gods that teach her, voices of the past that taunt her, and a constant grappling between the two worlds. Yr also has its own language, which Deborah uses to express ideas that transcend English. When Deborah starts to slip into psychosis, she is ushered into a therapeutic technique in which she is wrapped tightly in ice-cold, wet sheets for several hours.

When Esther learns that Deborah moved to the D ward, she asks to visit again but is discouraged from coming. Dr. Fried starts to observe patterns in Deborah’s moods, noting that whenever she reveals something about Yr, she seems to have a mental health crisis. Deborah explains that she was told by the gods of Yr about three changes that would be followed by three mirrors. She believes the first was the tumor and continued pain, the second was the antisemitism at the summer camp, and the third change has not occurred. She worries it signifies death and lives in a state of fear. Dr. Fried believes that Deborah’s imagined world is a defensive strategy her mind has created after years of traumatic experiences, and Deborah starts to see the truth in this. Deborah also feels like she is a destructive or poisonous force, which leads her to avoid close relationships. Deborah has a false memory of trying to kill her sister, which resurfaces as a mere passing thought she had as a child. When Carla is moved to the D ward, she and Deborah connect again, relishing the freedom of acting as uninhibited as they please. A new attendant, Ellis, is prejudiced toward the patients, which makes Deborah uncomfortable, and slowly, the anger and fear from her past make a volcano in her. When Dr. Fried touches Deborah’s arm, she feels a burning sensation, and Deborah remains convinced that she is poisonous.

While in the cold pack, or wet sheets, Deborah wakes to Ellis entering to check temperature and pulse. He does so abruptly, which startles Helene beside Deborah, and Helene begins wrestling with her head and spitting at Ellis. Ellis beats Helene until she stops. Deborah reports the incident to both the ward doctor and Dr. Fried, but neither does anything about it. When Deborah’s parents come to visit her, they are shocked, and realize they have to tell Suzy, Deborah’s sister, the truth. Suzy reacts without much drama, surprising her parents and teaching them a lesson in understanding. Deborah doesn’t want to see her father because the anger in him reminds her of the anger in herself. Soon, Deborah connects with a new patient named Miss Coral, an elderly woman who teaches Deborah some Latin and Greek, as well as some old poetry. After spending weeks studying under Miss Coral, Deborah wonders why her illness hasn’t improved, withdrawing into a state of hopelessness and isolation for three months. When she comes out of it, she is surprised to find that some of the patients are happy to see her. Dr. Fried watches as Deborah drifts between calm, semi-clarity to panic and delirium and back again, slowly improving as she goes. When a patient who was rumored to have succeeded in healing and living a life outside the facility returns, it upsets all the patients, including Deborah, who harasses the woman in the hope of gaining answers. Deborah becomes more and more preoccupied with the idea of being composed of a poisonous substance and cannot shake the feeling that she is destroying those around her.

In the spring, Suzy graduates, and her parents remain preoccupied with thoughts of Deborah. Carla comes back to the D ward, admitting she wasn’t quite ready for the responsibility of the B ward. Deborah sees Carla in color after seeing in gray for months and is happy to reunite with her friend. The gods of Yr warn her that her poison will infect Carla. When Dr. Fried announces she is taking a summer vacation, Deborah panics and tries to solve her problems in a few short weeks to no avail. Dr. Fried’s replacement is cold and logical, nothing like what Deborah needs, and she breaks down severely. A volcano forms inside of her, and she attempts to quell it by burning her arms with cigarettes. It is a habit she keeps up for weeks, resulting in infected wounds. Dr. Fried returns, distraught to see Deborah deteriorated and believes it an act of revenge for her leaving. Deborah explains the volcano within. Deborah has a mental health crisis in the bathroom one night, banging her head on the walls and writing words in Yri with her blood. She is secluded and then cold packed, and it occurs to her in that state that she has the will to live. She regains some emotion and sensation of the world, and the person inside is slowly revealed. By winter, Deborah comes to see in full color and dimension again, envisioning a change occurring within her. She fears the idea of giving up Yr for the risk of what the world might offer, and Dr. Fried reminds her that is a choice she must make for herself.

Deborah starts to regain control of herself, earns privileges in the facility, and develops a love for the world. She unearths some final secrets with Dr. Fried, realizing she never tried to kill her sister and that she did have happy moments during her childhood. She goes home to visit her family, experiences a rush of creativity and desire to socialize and learn, and even escapes the facility with Carla one night. Deborah senses her own fear of failure or success vanishing, starts spending time in the community, and eventually moves out of the facility. While living on her own, she realizes she does not have the education to qualify for basic jobs and becomes overwhelmed, suffering another mental health crisis. She returns to the facility, but regains her motivation and tries again. She starts attending a tutorial school, takes and passes a high-school equivalency exam, and plans for college. In the end, she is able to say goodbye to the world of Yr and embrace the world around her.

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