51 pages 1 hour read

Colum McCann

Apeirogon

Fiction | Novel | Adult | Published in 2020

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Part 1, Sections 80-180Chapter Summaries & Analyses

Part 1, Sections 80-180 Summary

After his service in the Yom Kippur War (October 1973), Rami began work as a graphic designer making visuals for anyone along the political spectrum. Not long after Rami met Nurit, a woman from a good family and a general’s daughter. They began dating and were soon married. They had four children, and for a long time Rami lived a life of domestic bliss, even among the continual wars and skirmishes of the Israeli state.

After Smadar’s death, Rami begins to speak about it to whomever he can. He worries about repeating himself as he tells the story again and again, but it serves a purpose. As McCann writes, “when he spoke he saw Smadar again. Her oval face. Her brown eyes. Her turn-to-the-shoulder laughter. In a garden. In Jerusalem. With a white band in her hair” (47).

Eventually, Rami and Bassam began meeting almost every day as a part of their Parents Circle group. When Rami used new phrases to describe the event he had described so many times before, it would open the wounds all over again, and he could see in Bassam’s face that Bassam was freshly wounded as well. After a time, Rami and Bassam could finish each other’s stories.

The bombing that took Smadar’s life also took the lives of seven others. Paramedics rushed to the scene as quickly as possible and tended to the living first. Human appendages were scattered about.

Moti Richler, an older man recovering from surgery to aid his macular degeneration (a condition that causes the central point of vision to blur), sees an eyeball on the street after the bombing. He informs the authorities.

McCann shifts to Bassam’s grief as he stands in the hospital when the doctors inform him his daughter is likely going to die. They bring up organ donation to him. They explain to him that there are many who need such donations. Bassam and his wife, however, decide not to let the doctors take their child’s organs.

Abir had a gift for memorization, she could remember long passages from the Qur’an or poems. She was also gifted in mathematics. Bassam had no doubts she would pass her test that she was never able to take.

At the hospital, the blood from the impact of the rubber bullet was pooling in Abir’s skull. The doctors needed a CT scan, but the machine had been inoperative for a month. They needed to transfer her to an Israeli hospital in Ein Kerem, where Smadar was born. Bassam insists that they send her to Hadassah, but the doctor reminds him the entire city of Jerusalem is gridlocked. Bassam says he knows people who can help with the roadblocks. Bassam sat in the back of the ambulance with Abir. They didn’t move for an hour. While waiting, Bassam stepped out to pray. After over two hours, the ambulance was given the okay to move.

At the new hospital, Abir was kept alive for another two and half days. Reporters swarmed around, and several false stories, such as she was struck by a rock, were bandied by the news outlets. Even in the court case four years later, a judge had to dismiss that Abir was killed by boys throwing rocks rather than the rubber bullet.

Smadar’s death was surrounded by just as much misinformation. Reports varied on how many died from the bombing and who carried out the terrorist act.

Part 1, Sections 80-180 Analysis

This second grouping of sections continues McCann’s formal and rhetorical device of interjecting the main narrative with historical episodes, scientific facts, side characters, and geopolitical developments. While the story of Bassam and Rami is straightforward, this technique constantly turns the central story into something much more than an easily discernible narrative. Something much more vast and thematically rich.

These sections introduce three important ideas into the novel. The first is perhaps one of the central themes of the book: the universal nature of grief and its ability to bring people together. An effect of McCann’s style of writing brief sections where the narratives butt up against each other rather than exist in a continuous, seamless flow is that the reader is forced to make comparisons and connections between the stories. McCann constantly makes connections between Smadar and Abir, such as Abir being brought to the hospital where Smadar was born. These two deaths bring Bassam and Rami together to tell their stories to people. The two men find a bond in their grief to the point that they can finish each other’s stories of the losses that created that grief.

The dark twin of that idea, one that McCann continually explores, is how weaponry also ties the world together. The focus here is more on explosives, like how Czech scientists created Semtex or the science behind the atomic bombings in Japan during WWII. The history of weaponry is global. When the Czech scientists created Semtex they set a trajectory for the suicide bombers to use it and take Smadar’s life. McCann is certainly interested in the paradoxical idea that weapons both tear us apart, both literally and figuratively, but also bring us together. It is a provocative notion.

A final idea that is held within the previous one is more of a visual symbol that McCann uses throughout these sections: that of body parts. Most obvious is the dismembered body parts that are strewn throughout the street after the suicide bombing that killed Smadar. After the bombing teams of workers pick up the body parts an old man with an eye condition spots an errant eyeball on the street. McCann even discusses how when suicide bombers explode, their heads detach from their bodies in what is referred to as the “mushroom effect.” McCann uses this discussion to fold in Abir’s death. The doctors ask if they can donate her organs. One daughter has lost parts of her body, and another has parts to give away. There is a reciprocity that forms a connection. Bassam and his wife decline, however, to let their daughter’s organs be donated.

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